Logography: Shift from Artistic to Aural
About 3000 BC, the development of phonetic signs—signs representing the noises of speech—marks the 2nd stage when you look at the development of Mesopotamian writing, whenever, finally, the medium parted from the token antecedent to be able to emulate talked language. As a result, writing shifted from the conceptual framework of genuine products to your realm of message noises. It shifted through the artistic into the world that is aural.
With state development, brand brand new regulations necessary that the names regarding the people who created or received merchandise that is registered entered in the pills. The non-public names had been transcribed because of the mean of logograms—signs representing a term in a tongue that is particular. Logograms were easily drawn photos of terms with a noise near to that desired (as an example in English the true title Neil might be written with an indication showing bent knees ‘kneel’). The logograms had a syllabic value because Sumerian was mostly a monosyllabic language. A syllable is really a unit of talked language composed of several vowel noises, alone, or with more than one consonants. Each time a title needed a few phonetic units, they certainly were put together in a rebus fashion. a typical sumerian name ‘an Gives Life’ combined a star, the logogram for An, god of heaven, and an arrow, due to the fact terms for ‘arrow’ and ‘life’ were homonyms.